- 21. Marking and Labeling Costume
- (Working with clothes)
- ... Methods for marking costume and accessories Where to place accession numbers When do we need to see the accession number? Links to guidelines, instructions and fact sheets. ...
- 22. Coat for a Wounded Prince
- (Telling stories with clothes)
- ... left behind and brought up by French and Danish nannies, a valet, and a young theologian as tutor. Young Fritz lived at the palace in Copenhagen most of the year, but his summers were spent in the country ...
- 23. Handling Clothes
- (Working with clothes)
- ... damage. Most important, before touching the museum object for any reason, always mentally ‘walk through’ what needs to be done before it is back in place. Practice ‘thinking before touching’. Checklist ...
- 24. Guidelines
- (Working with clothes)
- ... - designer/maker, whether amateur or professional - photographs or other illustrations showing the object in use - date when acquired - purchase place and price - present day value - purpose of making ...
- 25. Dangerous Costume
- (Working with clothes)
- ... to document what it is not only for historical reasons, but also so you, your colleagues and museum guests are protected. You should be familiar with current health and safety rules for the workplace, ...
- 26. Useful Addresses
- (Working with clothes)
- ... brocades, wools, laces. Swatches on request. Shipping worldwide. Walder (www.walder.fr ) 24, rue Auguste Comte, F-69002 Lyon Tel 0033.4.78428742 Standard qualities (silks, velvets, wools) ...
- 27. Anna Maria, the Queen’s Midget
- (Telling stories with clothes)
- ... to deduce that she enjoyed the Queen’s favor, as the dress of silk and lace are equal to what fashionable women at court wore. The bodice, skirt and hooded overgown are all made of a bright green patterned ...
- 28. Take a Closer Look at Costume
- (Working with clothes)
- ... former exhibitions When and by whom the documentation is made Material (See also Identifying fibers, Identifying textile weaves and Identifying lace) Museums have often collected clothes because ...
- 29. Clothing and Collecting Policies
- (Working with clothes)
- ... and religions, to help you and your visitors understand the objects in your collection in a much broader context. For example Buckinghamshire County Museum’s collection contains examples of lace from around ...
- 30. 1970s Exhibition, Munich
- (Telling stories with clothes)
- ... organising a fairly complete collection but also to record the full documentation and place the garments in their social and political context. When collecting historical dress we just get the special ...
weave
knickers
transport
Hmong
Identification
ballet
danger
marking and labeling
Laos
Alto Peru
lead
José Miguel Carrera
indigenous peoples
photographs
folk culture
garment
dwarf
weaving
collection
20th century
stripes
Guatemala
padding
construction
traditional outfit
wedding dress
Resource
pants
Mette Bagge Kiær
museum
media
conservation
transportation
Roméo et Juliette
protest dress
Guidelines
1950s
pattern-taking
fiber dust
kings' garments
Paco Rabanne
dress
exhibition
Royal Museum of Mariemont
Royal Danish Collections
Flannel
Fleecemaking
mask
sailor suit
wearer
Princess Margaret
China
Pattern-taking
hair
receipts
mannequins
reconstruction
deterioriation
Mantas
selection criteria