- 1. Identifying sprang sashes
- (Working with clothes)
- ... can be called sprang. The other option is to assume that these sashes were created using a free-end braiding technique, a wearisome task, as the ‘false weave’ must be unraveled frequently. Some military ...
- 2. The Artist Imagination
- (Telling stories with clothes)
- Working with artists to story-weave into the dress display Joanna Marschner Historic Royal Palaces At Kensington Palace artists and theatre-makers have united with curators to work within ...
- 3. Identification of Fabrics
- (Working with clothes)
- ... common ones are: I. Weave with one warp and ONE? weft system Plain weave or tabby Twill weave Satin weave Gauze II. Weave with two and more weft systems Dobby weaves Pile fabrics ...
- 4. Take a Closer Look at Costume
- (Working with clothes)
- ... former exhibitions When and by whom the documentation is made Material (See also Identifying fibers, Identifying textile weaves and Identifying lace) Museums have often collected clothes because ...
narrative
protection
Leather
photos
material
heavy metals
collection
festivals
self couching
knit
wool
pants
stitch
La Belle au bois dormant
shoes
Nutcracker
white cotton
false weave
policy
Chinese traditional Costume
pattern-taking
Underwear
Heavily altered items
contamination
Tizian
Felting
sprang
Identification
construction
labels
Pintrest
Nylon
Princess Margaret
transportation
fibers
vacuum
Roméo et Juliette
personal attitudes
marriage
interlinking
tradition
Busts and mannequins
Resource
silk
reconstruction
ballet
outline stitch
media
Mother Sally
undergarments
feelings
Mette Bagge Kiær
beliefs
stripes
ICOM
tatting lace
fabrics
Price tags
Queen Juliane Marie
bobbin lace