- 1. Identifying sprang sashes
- (Working with clothes)
- ... can be called sprang. The other option is to assume that these sashes were created using a free-end braiding technique, a wearisome task, as the ‘false weave’ must be unraveled frequently. Some military ...
- 2. The Artist Imagination
- (Telling stories with clothes)
- Working with artists to story-weave into the dress display Joanna Marschner Historic Royal Palaces At Kensington Palace artists and theatre-makers have united with curators to work within ...
- 3. Identification of Fabrics
- (Working with clothes)
- ... common ones are: I. Weave with one warp and ONE? weft system Plain weave or tabby Twill weave Satin weave Gauze II. Weave with two and more weft systems Dobby weaves Pile fabrics ...
- 4. Take a Closer Look at Costume
- (Working with clothes)
- ... former exhibitions When and by whom the documentation is made Material (See also Identifying fibers, Identifying textile weaves and Identifying lace) Museums have often collected clothes because ...
Goretex
Giselle
Nutcracker
Ramie
chain-link mesh
Titian
masculine culture
fashionable dress
Bodily Memory
St Gallen
weaving
interview
Tiziano Vecelli
packing
Qing Dynasty
Useful
material
Underwear
boxes
insurance
storage
knit
data record
popular culture
exhibition
purse
copy
Olympic Games
Royal Collections
SPECTRUM
Blogs
acid-free tag
ribbon
forming
damage
guidelines
Hemp
Preparing the public
1970s
folk dress
silk
hair
Alto Peru
floral ornaments
Le Lac des cygnes
Fabrics
personal narrative
La Belle au bois dormant
feelings
Queen Mary of Hungary
conservation
lead
wool
Mantas
mechanical aids
reconstruction
labels
collective identity
dictatorship
surface satin stitch